Dylan Day - a celebration of the work of Welsh poet Dylan Thomas - is a great idea for a number of reasons.  Firstly it's always a good idea to celebrate art and literature.  In a world full of Trump, May, Brexit, Syria and conflict, it's a very good idea to remind ourselves of the real reason we are all really here.  For the sweet, satisfied moments of family, friendship, kindness, vision and imagination.  I can’t remember who said a civilised society is only measured by the success of it...

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It’s been great being involved with the new International Dylan Day. 14 May each year has been designated Dylan Day to mark the first time his play for voices ‘Under Milk Wood’ was performed in public in the USA. It’s a direct lift from Blooms Day, an annual event inspired by one of the lead characters in Ulysses, by James Joyce. We're going to celebrate it this year with an extra tour and extra Dylan content.  Book now for 13th May - the Saturday before the day.  We also have some id...

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The roots of the Literary Pub Crawl lie in the Fitzroy Tavern. I was doing my Masters at the University of London and looking for a cheap pint.  My mate from Birmingham, filmmaker Andy Bloom, suggested I could get a cheaper pint at the Fitzroy, as the pub was run by the Sam Smiths Brewery and they were considerably cheaper than other pubs in the area.  He also told me about the Writers and Artists Bar at the pub, which certainly appealed.

So I was nursing my cheap pint downstairs and couldn't ...
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It's me birthday!  Thanks!  Feel free to send cards. Or cash... :-)

Birthdays are often a time for reflection.  When I first got the idea for the London Literary Pub Crawl, it was because I was taking my M.A. and I was flat broke.  In spite of never having received a grant for education, for reasons known only to the Education Dept I had to fund everything myself.  It was tough - not only the fees, but living in one of the most expensive cities in the world.  But I don't think we'd have done t...
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Or at least the final blog of this particular production. What can I say! We’ve just finished and I’ve just got back from the last night.  And the consumption of a few drinks with the cast makes this not the best time to write this, perhaps! But it became a big deal for me. As you may have gathered from the previous blogs, I had a number of concerns with this production. Although small in scale it was large in ambition and my first toe in the West End water.  I only actually got to watch ...
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I love the image above we are using for Under Milk Wood.  It has a wistful quality to it and that is how I feel about some of our writers - especially Dylan Thomas, who was taken from us so tragically early. I also love Wales, and this image kind of sums up my schoolboy holidays in out-of-season seaside towns. This bench has seen a lot, you can just tell.  And it quietly waits for the next joyful - or maybe melancholy - experience. 

But enough wooden bench and more Milk Wood.  He was a smart c...
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Well, what a year 2012 has been.  The Silver Jubilee, the Olympics and more importantly (to us anyway) the launch of the London Literary Pub Crawl.  It's because we are a not-for-profit charity with no budget that the critical and audience acclaim we've received early on has been so important and so crucial... and so moving.  Partly inspired by the Olympics coming to London, I felt a desire - perhaps a passion - to share what I'd found out about the struggle some of the worlds most famous wri...

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We had a query this week from someone wondering what preparation they should make for the tour. Well, it is written assuming no previous knowledge, but works covered on the tour include A Clockwork Orange by Anthony Burgess, Under Milk Wood by Dylan Thomas, 1984 by George Orwell, A Room of One's Own by Virginia Woolf and various Charles Dickens works. We've also some new work from the niece of Brendan Behan and we get to meet all the above, plus William Blake, Francis Bacon, Jeffrey Barnard a...
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If you've been on the tour, you'll know that the Fitzrovia leg is more theatrical than the Soho leg. We enact various scenes, including Anthony Burgess (Clockwork Orange, etc) meeting a knife gang in the Duke and Dylan Thomas meeting his wife at the Wheatsheaf. But then Soho becomes a more 'traditional' tour. That's about to change very soon. I've written a number of pieces around our Soho artists and writers and I hope its going to transform what we already have.

I'm very pleased with critica...
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